Eri Nishihara began dancing at the age of five in Hiroshima, Japan. After moving with her family to Reno, NV, at the age of 12, she continued her ballet training at the Conservatory of Movement. She holds a BFA in Ballet Performance from the University of Utah, where she studied for two years before joining the second company at Richmond Ballet. She was promoted to the main company in 2017 and has since danced in many works, including Ben Stevenson’s Dracula, Ma Cong’s Firebird, Jerome Robbins’ In the Night, George Balanchine’s Allegro Brillante and Who Cares?, Malcolm Burn’s Romeo & Juliet, and John Butler’s Carmina Burana. She is also part of the faculty at School of Richmond Ballet, as well as a part-time piano accompanist for the School classes. This is her eleventh season with Richmond Ballet.
The Faculty of The School of Richmond Ballet is comprised of knowledgeable instructors who share a mutual love for dance and teaching. While performing is considered the pinnacle of dance, the unseen practice and hard work in the classroom is where students spend most of their time. And under the guidance of a dedicated teacher, they’re able to reach their fullest potential.
The Administration of the School of Richmond Ballet is made up of a highly organized, devoted team. On any given day, they know what’s happening at the School and help keep our multitude of classes, programs, and special events running smoothly.
The Musicians at the School of Richmond Ballet are a valuable asset in creating a unique and joyful class experience. In keeping with tradition, our ballet and modern classes are accompanied by live music – a true gift to instructors and students alike.